"... a real strongman, and a clever weightlifter to boot was Monte Saldo, whose stage showmanship was best displayed, perhaps, in a turn which he presented with his brother Frank, entitled "the Sculptor's Dream," certainly of the most artistic and impressive of any ever given.
The curtain rose disclosing a sculptor's studio, with the sculptor at work on a reproduction of a well known classical statue. The figure was Monte himself, painted and garbed in an excellent imitation of marble, and behind him was a mirror, in which the statue could be seen reproduced. After working a while, the sculpture wearied, and concealing his masterpiece behind curtains, stretched himself at length upon a couch, soon to be ostensibly asleep. The curtains thereupon parted on their own account, revealing the statue in another classical pose, again reflected in the mirror. Then once more they closed, only to re-open and repeat their re-opening to revelation of ever fresh poses and reflections, until finally the statue and the mirror reflection confront each other in a famous wrestler's attitude.
A pause, and then the mirror crashing as the 'reflection' - brother Frank, to be more explicit - leapt out to grapple with Monte, and execute on stage a variety of wrestling postures. This unique opening was followed by a series of equally novel strength feats in which both iron and human weights figured, closured by Monte pressing Frank aloft with one hand, and a twirl round of the supported performer. This twirl, by the way, was very smartly done. As Frank leant back to be supported on Monte's palm, the lifter would interpose a revolving disc on which his brother's back rested. Thus when Frank had been pressed aloft, it enabled Monte to spin him.
At this juncture, the sculptor would commence to stir, whereupon both statue and 'reflection' would leap back and, resuming their original poses, thus satisfying the now awakened chiseller of marble that all which had transpired was actually nothing but a dream.
Monte Saldo was one of the few men who have enhanced a reputation made on the stage as a strongman by feats performed away from its atmosphere of glamour and make-believe. The first man in the world to 'swing' over his own bodyweight with one hand, and one of the most successful trainers of strong men ever known..."〔Zass, Alexander ''The Amazing Samson, As Told by Himself'' London (1926) pp 66-68]〕